Reviews & Articles
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Birdman: Performance and Reality
A review of Birdman’s overlapping worlds of theatre and cinema, tracing Michael Keaton’s self-reflexive performance, Riggan Thomson’s fractured identity, and the film’s movement between psychological realism and fantasy.
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Critical Review on Movie: Queer Coolie-tudes
A critical reading of Michelle Mohabeer’s Queer Coolie-tudes, considering colonial indenture, queer diasporic identity, archival memory, and the film’s use of bodies, water, and fragmented visual form.
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This Is Not an Interpretation
A semiotic and psychoanalytic reading of René Magritte’s La Trahison des Images, exploring how language, representation, authorship, and desire complicate the relationship between an image and the object it depicts.